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Isabella Greenwood is a London-based writer and curator with a focus on internet culture, mythology, folkloric epistemologies, theology, art, and film.
 

Greenwood has written on topics ranging from hauntology, semiotics and the occult for publications such as Dazed and Cosmopolitan. She has also explored post-internet ethnology and digital folklore for Vogue, as well as contemporary fixations, from the lesbian renaissance for Wonderland, sex and surrealism in Yorgos Lanthimos films for Dazed, to Catholic core, aesthetics of embalmment, and diaristic practices for Plaster magazine. Her work on the phenomenological exclusion of migrants was published in The Journal of Genocide and Political Violence, Vol 22 (2020).  

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Greenwood has worked as an editor for 9vt\5 publishing house, as well as Editor-in-Chief for the political video and photography art marketplace, Uncontaminated. In addition to freelance writing and researching,  she currently serves as Editor-in-Chief for Shipton Gallery, where she is curating two upcoming shows: one on dream realms, death, and the afterlife in Amsterdam, and another on post-internet theology in London (2024).

Isabella Greenwood holds a degree in History of Art, with a double minor in both Philosophy and Gender/ Feminist/ Social Justice/ Sexaul Studies from McGill University, Canada. She is also currently training in psychosynthesis psychotherapy and somatic psychology.

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